Jaded Incorporated - The Big Knock (2014) [Electro Pop , Experimental]

http://www.jadedinc.com

Mr Juan - King Kong Man (2012) [DJ , Alternative , World Music]

http://www.juanitos.net
http://www.jamendo.com/fr/mrjuan

Country : France
Genre : DJ , World Music
Style : Cumbia , Latin Pop , UFO Music , Experimental

 

 

 

Royalty-free music for professional licensing

 

Tracklist :

01. Señor Bomba (02:48)
02. Rumbaluna (03:08)
03. King Kong Man (03:55)
04. Cumbia Chicana (03:29)
05. Masterbrain (02:56)
06. UFO Party (02:55)
07. Muchacha Chacha (02:07)
08. Est ce que ça vous plait? (03:30)

Dictaphone - Poems from a rooftop (2012) [Ambient , Electronic]

http://www.dictaphone-music.de

Country : Deutschland
Genre : Electronic
Style : Ambient , Experimental , Electronic , Neo-Classical , Minimal


Label - Sonic Pieces

 

 

 

 

Tracklist :

01 - The Conversation
02 - Maelbeek
03 - Manami
04 - Soylent Green (1973)
05 - Poem From A Rooftop
06 - A Bout De Souffle
07 - Rattle
08 - Au Botanique
09 - Nr. 12

Nedry - In A Dim Light (2012) [Electronic , Trip Hop]

http://nedrymakesmusic.com

Country : U.K
Genre : Trip Hop
Style : Electronic , Experimental , IDM , Dubstep


ARTWORK BY : Dan Tassell of Factory Fifteen
Label : Monotreme Records

 

 

 

 

Tracklist :

1. I Would Rather Explode (5:02)
2. Post Six (5:06)
3. Violaceae (4:53)
4. Havana Nights (5:40)
5. Dusk Till Dawn (3:08)
6. Float (6:49)
7. Land Leviathan (1:52)
8. TMA (3:03)
9. here.now.here (5:21)
10. Home (6:18)

Kashiwa Daisuke (柏大輔) - Re : (2012) [Broken Beat , Neo Classic]

http://kashiwadaisuke.com

Origine du Groupe : Japan
Style : Broken Beat , Electronic Jazz , Neo Classic , Psychedelic , Experimental

 

 

 

 

 

 

 

 

 

Tracklist :
1. April.#19
2. Deepblue (12"Edit)
3. Solar Man
4. Jazz Pour Une Infante Defunte
5. Something Is Lost
6. KATABAMI Dance
7. April.#07
8. Ajanagar
9. April
10. Colophon.#02
11. April.#20

Deadfile - Deadfile (2012) [Experimental , Post Rock]

http://deadfile.bandcamp.com
https://soundcloud.com/deadfile

Origine du Groupe : Greece
Style : Alternative , Post Rock , Experimental , Psychedelic

 

 

 

 

 

 

 

 

 

 

 

 

Tracklist :
1.This Hollow Land 07:53
2.Jericho 08:54
3.Arachnae 07:15
4.A Girl Called Dust Storm 14:33
5.Mojave 09:25
6.Zeitökonomie 07:25
7.Consulting Maps That Lie 05:53 

Innerzone Orchestra - Programmed (1999) [Alternative , Electronic]

http://planet-e.net
https://en.wikipedia.org/wiki/Programmed

Origine du Groupe : North America , Europe
Style : Alternative ,  Hip Hop, Future Jazz, Contemporary Jazz, Experimental, Neo Soul , Electronic

 

 

 

 

 

 

 

 

Tracklist :
1. Wrong Number
2. Manufactured Memories
3. The Beginning Of The End
4. Programmed
5. Eruption
6. Monsters
7. Blakula
8. People Make The World Go 'round
9. Architecture
10. Basic Math
11. Timing
12. Galaxy
13. At Les
14. Bug In The Bass Bin

Akito Misaki - Distance

http://www.myspace.com/akitomisakiiii
http://akitomisaki.bandcamp.com

Origine du Groupe :  Japan
Style : Electro Ambient , Experimental , Instrumental Piano
Sortie : 2012

  some rights reserved

Tracklist :
1.wait someone 05:54  
2.around the mind 04:59  
3.distance between two points 05:52  
4.take me out 03:16

Amon Tobin - Isam (LIVE)

http://www.amontobin.com
https://www.myspace.com/tobinamon
Origine du Groupe : Brazil , U.K
Style : Electro , Glitch , Break Core , Experimental
Sortie : 2012





Par Maxence Grugier  From http://fluctuat.premiere.fr
De l'avis de tous, l'installation réalisée par Amon Tobin pour ses prestations scéniques (peut-on encore parler de "concert" à ce stade) pour son dernier album intitulé , est totalement hors du commun. Plus qu'un simple live, ISAM est avant tout un spectacle graphique qui tient autant de l'infographie futuriste (ou du "futur de l'infographie") que de ce que l'on appelait un temps (au secours !) le vjying (et on se doute bien évidemment, que l'artiste dénie immédiatement cette appellation). La performance est d'ailleurs minutieusement observée, analysée et critiquée en détails dans tous les magazines consacrés au graphisme de la planète, plus encore que dans les revues musicales qui, en général, n'y comprennent rien.L'installation a peu à peu pris de l'importance dans l'univers total de Tobin, au point qu'aujourd'hui l'artiste avoue ne pas réellement savoir comment continuer sans elle. Il s'en explique d'ailleurs très bien dans une passionnante interview réalisée par The Creators Project. Dans cet entretien, le natif de Sao Paulo explique très modestement et très clairement sa démarche artistique, son envie de passer à "autre chose", de rechercher et d'innover, sans pour autant passer pour un poseur ou un inventeur de quoi que ce soit.Il s'explique aussi sur sa lassitude du sampling, et sur son travail avec la plasticienne britannique Tessa Farmer dont nous parlions il y a quelques semaines.

Glen Porter - The Devil Is A Dancer, The Piper Is A Madman

http://www.glenporter.org
https://www.myspace.com/perfectstrangermusic


Origine du Groupe : North America
Style : Electro Dark , Abstract Hip Hop , Experimental
Sortie : 2012

 

From http://shop.thecontentlabel.com

Two Years in the making, this project is a multi-movement sound-scape that touches on the contrasting themes of life (sadness, happiness, courage, fear, etc).

We set sail deep within the psyche with the drum heavy accordion screamer “The Devil is a Dancer”. Here, Porter takes his trademark emotionally driven production to new heights with the use of his own voice in the form of a sea shanty. We reach the shore but soon travel “Over the Mountains, Through the Jungle, And into the Cave”. Resting in an acoustic haze we find moments of pure psychedelic bliss.

Joyful moans turn to anxious shrieks as we follow the hypnotic rhythms and discover “The Piper is a Madman”. The vinyl version of the project ends with the epic “Ask her nicely and she’ll show you the scars” and as the title suggests, its layers are memorable and more than skin deep.


Tracklist :
1. The Devil Is A Dancer 08:13
2. Over The Mountains, Through The Jungle, And Into The Cave 05:34
3. The Piper Is A Madman 05:43
4. Ask Her Nicely and She’ll Show You The Scars 07:36
5. Forget (Digital Only) 05:03
6. Kiss The Pretty Ones Goodbye (Digital Only) 5:52
7. Ask Her Nicely and She’ll Show You The Scars (Yppah remix) (Digital Only) 04:31 

Holy Fuck - Latin

http://holyfuckmusic.com

https://www.myspace.com/holyfuck





Origine du Groupe : Canada

Style : Psychedelic , Electronic , Experimental

Sortie : 2010

 

By Andrzej Lukowski   from http://drownedinsound.com


Not to speak ill of a man who has probably bought considerably more joy to considerably more people than I ever will, but there was a rather uncomfortable moment in a seminar at last year’s Supersonic festival, when a chap from Rough Trade (store, not label) attempted to sell the assembled crowd and panel RT’s grand plan to form a partnership with young person’s clothes store Top Shop. Pilloried about this by a chap from Southern, he tried to suggest that the whole thing was going to be one grand act of subversion, because the first LP that would be distributed into the Top Shop branches of Rough Trade would be the next Holy Fuck record.

The mind boggles as to what point he may have been making, but I suppose it probably hinged on the fact that Holy Fuck are a) quite obscure, b) quite DIY, c) have a swear word in their name, and are d) very good, ergo ripe for rocking the worlds of those stupid pigdog Top Shop customers. I’m not so sure, as having watched Skins once, it would appear that songs like 'Super Inuit' and 'Lovely Allen' are exactly what people who go to popular high street clothing stores listen to. In any case, the somewhat tenuous point I'm making is that pugnacious name aside, Holy Fuck have never offered an instant hit of rebellion. Their excellent third album Latin is not to be admired so much for its feral energy as moments of glowing, yes-my-liege stateliness.

In complete contrast to the ape bastard fuck roar of the live ‘Super Inuit’ that opened LP, Latin commences with ‘1MD’, a vague, ominous mutter in the dark gradually overlaid by a drone about the size of Alaska. It’s huge, illuminating the murk around it with a celestial grace reminiscent of both Fuck Buttons at their most epic but also something bigger than that – The Cure’s ‘Plainsong’, maybe. Percussion and distortion hammers below like the jets of the engine propelling said drone into the cosmos, and my mind is filled only with fantasies of how loud they dare to play this thing.

Skip to track four, ‘Stay Lit’, and here we find the best song that Holy Fuck ever written. Based on wobblingly pretty electronic chimes that teeter and topple and smack into each other like some tremulous clockwork heart, it seems impossibly tenuous and fragile. And it remains so, yet draws itself up to defy its own fragility, galloping stadium drums and some sort of choir of angels-esque vocal effect joining the still shaky core, whipping its nervous tic of a core into a blaze of divine light.

As to the other seven tracks: certainly Latin is hardly short of the type of meaty 3am muscle that supported LP. Indeed, the super-bouncy ‘Red Lights’ that follows ‘1MD’ could practically have been titled ‘Don’t Worry Guys, We Still Know How To Party’.

Still, there’s a newfound restraint that runs throughout – I guess you’d probably call it a more European quality - and a darkness. ‘Silva and Grimes’ sounds remarkable like a stripped back ‘Super Inuit’ to begin with, but swiftly abandons bombast for ethereal Eno-ish drift; ‘Latin America’s superficial vivacity is underpinned by ghostly, Low-like wails of keys and brass; the desperate thunder of ‘Sht Mtn’ is laced with a frankly terrifying female voice, blankly muttering... something; the paranoid, early ‘Simple Minds’ bass that drills through the belly of ‘Stilettos’; the strangled vocal haze that ends ‘Lucky’ in almost Deerhunter-like fashion; the way ‘P.I.G.S’ spends its last three epic minutes simultaneously raging into the night and bleeding away into nothing.

Latin doesn’t have a weak moment, and while LP’s higher energy levels may indeed play better with that lucrative Top Shop demographic, it would seem remarkable if any right thinking fan of the band didn’t think Latin at least its equal. As a record it’s held back from out-and-out greatness by a certain unevenness of emotional tone – musically it’s all on a par, but nothing socks you emotionally quite like ‘Stay Lit’ and ‘1MD’. But if those are the stars that burn the brightest, this is a still an impressive whole, burning dark, bright and majestic.


Tracklist :
1. MD
2. Red Lights
3. Latin America
4. Stay Lit
5. Silva & Grimes
6. SHT MTN
7. Stilettos
8. Lucky
9. P.I.G.S.