Mountain Mocha Kilimanjaro - Taking A Lesson From The Past (2012) [Instrumental Soul Funk]

http://www.kilimanjaro.jp

Country : Jamaica
Genre : Soul Funk
Style : Acid Jazz , Instrumental , Jam Band

Label : P-Vine/Backfire Records

 

 

 

 

Tracklist :

01 Power Of Soul
02 Get Your Point Over
03 Exodus
04 Too High
05 Mean Street
06 Tell Me A Bedtime Story
07 Space Dust
08 Immigrant Song
09 Blackbyrds' Theme
10 The Long And Winding Road
11 K.I.T.T. Knight Rider Main Title (DJ Uppercut Remix)

Santah - Special Spices

http://www.jamendo.com

http://promodj.com/santah





Origine du Groupe : Russia

Style : Dub , Acid Jazz, Chillout , Alternative Fusion

Sortie : 2009

 

From http://www.jamendo.com We represent to your attention an album of Russian chillout project "Santah". It is a new masterly mix of the most actual chillout sound, densely seasoned with perfect east spices. Special Spices are the fresh, sharp compositions which have absorbed the hot sun of India and spirituality of vedic culture. It is a set of special impressions for musical gourmets! All tracks are original compositions. If you have an offer, concerning the edition of this material, Tracklist :01. Krishna (6:13) 02. Special spice (5:01) 03. Summer sunshine (5:06) 04. Way to the Highland (5:00) 05. Yuga Dharma (feat. Gaurangi DD) (5:33) 06. Sudama song (6:00) 07. Premadhavani Dub (5:43)

Christian Scott - Christian aTunde Adjuah

http://christianscott.tv

https://www.myspace.com/christianscottmusic





Origine du Groupe : North America

Style : Jazz , Acid Jazz

Sortie : 2012





LINKS REMOVE DMCA REQUEST

By JON GARELICK from http://thephoenix.com Since one of the first times I heard Christian Scott — at Sweet Lorraine's in New Orleans — he's always had an edge. It wasn't just his trumpet, but his band. They weren't playing jazz swing, but tricky groove patterns that built in intensity, driven by the gleaming, fierce sound of Scott's horn. It was well-considered and disciplined music, but not especially concerned with being polite. Now, six years later, Scott (who comes with his band to Scullers on August 10) is still riding that edge. His fourth studio release for Concord Records is a double-CD, an audacious move in its own right. Its title, Christian aTunde Adjuah, is Scott's adopted African name. And the titles of individual songs hint at the range of subject matter that Scott is referencing: from his New Orleans childhood and history with that city's Mardi Gras Indians ("Spy Boy/Flag Boy"), to the city's post-Katrina history ("New New Orleans-King Adjuah Stomp"), to further-flung topics like ethnic cleansing and rape in Sudan ("Fatima Aisha Rokero 400") and domestic violence in the US ("When Marissa Stands Her Ground"). Scott knows there are limits to what he can accomplish with instrumental music that was created with very particular topics in mind. In fact, when I get him on the phone at his home in Harlem, he bristles a bit when I suggest that some of his songs are "political." "I look at it more as a social thing. As I understand it, 'political' is about the dissemination of power among people. With the music that I make, I'm not telling anyone that they're supposed to be going against anything or choose sides. I'm just illuminating things that I've experienced or things I want people to think about." When you hear the album's first track, which begins with a piercing high-trumpet blast over roiling drums and unstable, rock-inflected guitar chords, you know that Scott is off about something, though you might not know what that is if you didn't see the title — maybe you know about the Rokero 400, maybe you have to look it up. Maybe you don't care and just want to listen. That's fine with Scott. "Of course, I want people to know what happened to those women in Rokero. But if someone comes up to me after a gig and says, 'I got the new album, and when I heard the first song it made me think of the things I had to endure to beat cancer,' I'm not gonna tell that person, 'That's not what it's about." Not every song deals with social strife. "Spy Boy/Flag Boy" harks back to the roles he and his twin brother Kiel played in his grandfather Big Chief Donald Harrison Sr.'s Mardi Gras Indian tribe, and the cover shows Scott in full regalia, surrounded by the peach-colored feathers of his Indian "suit." The album mixes hip-hop beats, African rhythms, and rock, informed by drummer Jamire Williams's encyclopedic vocabulary of beats and Matthew Stevens's ability to shift between rock-guitar edge and jazz flow. There are cinematic "interludes" throughout, marked by pianist Lawrence Fields's harmonic drifts. Perhaps the most telling title is "Who They Wish I Was." On it, Scott's muted trumpet converses in short, eloquent musical sentences with the relentless patter and hum of Williams's snare and Fields's piano. That Harmon-muted trumpet, the sound of those lines, are the only musical hints that this piece has to do with some people's "wish" that Scott pattern himself after Miles Davis. Scott's dense liner notes take specific issue with the desire of his elders that he — or jazz — be any one thing. "Scott's still my name," he tells me on the phone. "I'm just adding on to the name so it reflects a more global idea of what my history is." Hey, no argument from me. But I'm enjoying the enlightening and spirited debates Scott is having with his bandmates and the world at large. Tracklist : CD 1 01. Fatima Aisha Rokero 400 02. New New Orleans (King Adjuah Stomp) 03. Kuro Shinobi (Interlude) 04. Who They Wish I Was 05. Pyrrhic Victory of aTunde Adjuah 06. Spy Boy Flag Boy 07. vs. the Kleptocratic Union (Ms. McDowell’s Crime) 08. Kiel 09. Of Fire (Les Filles de la Nouvelle Orleans) 10. Dred Scott 11. Danziger CD 2 01. The Berlin Patient (CCR5) 02. Jihad Joe 03. Van Gogh (Interlude) 04. Liar Liar 05. I Do 06. Alkebu Lan 07. Bartlett 08. When Marissa Stands Her Ground 09. Cumulonimbus (Interlude) 10. Away (Anuradha & the Maiti Nepal) 11. The Red Rooster 12. Cara

Mr. Moods & Vicky Flint - Straight twisted lounge

http://mrmoods.bandcamp.com

http://www.vickyflint.co.uk





Origine du Groupe : Canada , U.K

Style : Abstract Hip Hop Jazz , Acid Jazz

Sortie : 2011

 

 

 

 

 

 

 

 

 

 

 

From http://mrmoods.bandcamp.com



Collaboration with trumpetist Vicky Flint and beatmaker Mr. Moods.



Credits



Lyrics and cuts by Jesse Warner

Trumpet on all selections, Vicky Flint

Music background and twisted rhythms by Christian Denis (Mr. Moods).

Produced, mixed, mastered and arranged by Mr. Moods.





Tracklist :

1.The one and only (With Cheese) 03:43    

2.The end of the affair 04:21    

3.You got the feeling 04:05    

4.Subterranean horn 05:10    

5.My love for you 04:20    

6.Love is a prelude (With Skence) 04:42        

7.The one and only (Instrumental) 03:47

Micatone - Wish I Was Here

http://www.micatone.de

https://www.myspace.com/micatone06





Origine du Groupe : Germany

Style : Indie , Nu-Jazz , Alternative Fusion , Acid Jazz

Sortie : 2012





From http://www.todayszaman.com



Berlin-based nu-jazz ensemble Micatone is set to present its anticipated new studio album “Wish I Was Here” to their fans in İstanbul this weekend when they take to the stage for a live
performance Saturday night at Garajistanbul.



Featuring Lisa Bassenge on vocals, the five-piece band again uses its unique fusion of jazz sounds with electronic tunes on the new album, released March 2 on the Sonar Kollektiv label. Micatone
will take to the stage at 11 p.m. for the gig. Doors open at 10 p.m. Tickets can be purchased at Biletix.





Tracklist :   

01 – Handbrake

02 – Asian Man

03 – Souvenir

04 – Save Me

05 – Break My Heart

06 – Micatone – Dizzy Day

07 – Pearl Diving

08 – Sweet Pain

09 – Just A Boy

10 – Wish I Didn’t Miss You

11 – Gun Dog

12 – Dirty Town

Galactic - Coolin' Off

http://www.galacticfunk.com





Origine du Groupe : North America

Style : Funk Jazz , Jazz Fusion , Acid Jazz

Sortie : 1996





From Official Site :



It's incredible that GALACTIC has never made a carnival album yet, but now it’s here.



To make CARNIVALE ELECTRICOS, the members of GALACTIC (Ben Ellman, harps and horns; Robert Mercurio, bass; Stanton Moore, drums and percussion; Jeff Raines, guitar; Rich Vogel, keyboards) draw on
the skills, stamina, and funk they deploy in the all-night party of their annual Lundi Gras show that goes till sunrise and leads sleeplessly into Mardi Gras day.



GALACTIC was formed eighteen years ago in New Orleans, and they cut their teeth playing the biggest party in America: Mardi Gras, when the town shuts down entirely to celebrate. CARNIVALE
ELECTRICOS is beyond a party record. It’s a carnival record that evokes the electric atmosphere of a whole city – make that, whole cities – vibrating together all on the same day, from New
Orleans all down the hemisphere to the mighty megacarnivals of Brazil. Armed with a slew of carnival-ready guests from high-school students to 72-year-old AL “CARNIVAL TIME” JOHNSON (who remakes
his all-time hit), GALACTIC whisks the listener around the neighborhoods to feel the Mardi Gras moment in all its variety of flavors.



 



CARNIVALE ELECTRICOS begins on a spiritual note, the way Mardi Gras does in the black community of New Orleans. On that morning, the most exciting experience you can have is to be present when
the small groups of black men called Mardi Gras Indians perform their sacred street theater. Nobody embodies the spiritual side of Mardi Gras better than the Indians, whose tambourines and chants
provide the fundament of New Orleans carnival music. These “gangs,” as they call them, organize around and protect the figure of their chief. The album’s keynote singer, WAR CHIEF JUAN PARDO, is,
says Robert Mercurio, “one of the younger Chiefs out there, and he’s become one of the best voices of the new Chiefs. Pardo grew up listening to the singing of the older generation of Big Chiefs,
points out Ben Ellman, and “he’s got a little Monk [Boudreaux], a little Bo Dollis, he’s neither uptown nor downtown.”



On “Karate,” says Ellman, the band was aiming to “capture the power” of one of the fundamental musical experiences of Mardi Gras: “a marching band passing by you.” The 40-piece KIPP RENAISSANCE
HIGH SCHOOL MARCHING BAND’s director arranged up GALACTIC’s demo, then the band rehearsed it until they had it all memorized. The kids poured their hearts into a solid performance, and, says
Mercurio, “I think they were surprised” to hear how good they sounded on the playback.



Musical energy is everywhere at carnival time. “You hear the marching bands go by,” says Mercurio, moving us through a Mardi Gras day, “and then you hear a lot of hiphop.” There hasn’t been a
Mardi Gras for twenty years that hasn’t had a banging track by beatmaker / rapper MANNIE FRESH sounding wherever you go. “You can’t talk about New Orleans hiphop without talking about MANNIE
FRESH,” says Ellman. His beats have powered literally tens of millions of records, and he and GALACTIC have been talking for years about doing something together. On “Move Fast,” he’s together
with multiplatinum gravel-voiced rapper MYSTIKAL, who is, says Ellman, “somebody we’ve wanted to collaborate with forever. It was a coup for us.”



Out in the streets of New Orleans, you might well hear a funky kind of samba, reaching southward toward the other end of the hemispheric carnival zone. There has for the last twenty-five years
been a smoking Brazilian drum troupe in town: CASA SAMBA, formed at Mardi Gras in 1986. They’re old friends of GALACTIC’s from their early days at Frenchmen Street’s Café Brasil, and the two
groups joined forces for a new version of Carlinhos Brown’s “Magalenha,” previously a hit for Sérgio Mendes.



But the Brazilian influence on CARNIVALE ELECTRICOS goes beyond one song. “When we started this album, we all immersed ourselves in Brazilian music and let it get into our souls,” says Mercurio.
The group contributed three Brazilian-flavored instrumentals, including “JuLou,” which riffs on an old Brazilian tune, though the name refers to the brass-funk Krewe of Julu, the “walking krewe”
that Galactic members participate in on Mardi Gras morning. After creating the hard-driving track that became “O Côco da Galinha,” they decided it would be right for MOYSÉS MÁRQUEZ, from the São
Paulo underground samba scene, who collaborated with them and composed the lyric.



If you were GALACTIC and you were making a carnival album, wouldn’t you want to play “Carnival Time,” the irrepressibly happy 1960 perennial from the legendary Cosimo Matassa studio? Nobody in
New Orleans doesn’t know this song. The remake features a new performance in the unmistakable voice of the original singer, AL “CARNIVAL TIME” JOHNSON, who’s still active around town more than
fifty years after he first gained Mardi Gras immortality.



The closing instrumental, “Ash Wednesday Sunrise,” evokes the edginess of the post-party feeling. The group writes, “There is the tension you feel on that morning -- one of being worn out from
all of the festivities and one of elation that you made it through another year.”



But, as New Orleanians know, there’s always another carnival to look forward to, and GALACTIC will be there, playing till dawn and then going to breakfast before parading.



***

GALACTIC is a collaborative band with a unique format. It’s a stable quintet that plays together with high musicianship. They’ve been together so long they’re telepathic. But though the band
hasn’t had a lead singer for years, neither is it purely an instrumental group. GALACTIC is part of a diverse community of musicians, and in their own studio, with Mercurio and Ellman producing,
they have the luxury of experimenting. So on their albums, they do something that’s unusual in rock but not so controversial an idea in, say, hiphop: they create something that’s a little like a
revue, a virtual show featuring different vocalists (mostly from New Orleans) and instrumental soloists each taking their turn on stage in the GALACTIC sound universe.



Mostly the band creates new material in collaboration with its many guests, though they occasionally rework a classic. Despite the appearance of various platinum names on GALACTIC albums, they
especially like to work with artists who are still underground. If you listen to CARNIVALE ELECTRICOS together with the two previous studio albums (YA-KA-MAY and FROM THE CORNER TO THE BLOCK),
you’ll hear the most complete cross-section of what’s happening in contemporary New Orleans anywhere – all of it tight and radio-ready.



Despite the electronics and studio technology, GALACTIC’s albums are very much band records. Mercurio explained the GALACTIC process, which starts out with the beat: “The way we write music,” he
says, “we come up with a demo, or a basic track, and then we collectively decide how we’re gonna finish it.” The result is a hard-grooving sequence of tight beats across a range of styles that
glides from one surprise to the next.



What pulls all the diverse artists on CARNIVALE ELECTRICOS together into a coherent album is that one way or another, it’s all funk. GALACTIC is, always was, and always will be a funk band.
Whatever genre of music anyone in New Orleans is doing, from Mardi Gras Indians to rock bands to hardcore rappers, it’s all funk at the bottom, because funk is the common musical language, the
lingua franca of New Orleans music. Even zydeco can be funky -- and if you don’t believe it, check out “Voyage Ton Flag,” the album’s evocation of Cajun Mardi Gras, in which Mamou Playboy STEVE
RILEY meets up with a sampled Clifton Chenier inside the GALACTIC funk machine.





    Theryl DeClouet - vocals

    Erik Jekabson - trumpet

    Robert Mercurio - bass, photography

    Stanton Moore - drums

    Mark Mullins - trombone

    Jeff Raines - guitar

    Eric Traub - tenor saxophone

    Dan Prothero - programming, producer, engineer, editing, design, mixing

    Raymond Pumilia - photography





Tracklist :   

1. Go Go

2. Welcome To New Orleans

3. Something's Wrong With This Picture

4. Funky Bird

5. Stax

6. Church

7. On The One

8. Mystery Tube

9. Doo Rag

10. Percussion Interlude

11. Everybody Wants Some (Part 1)

12. Everybody Wants Some (Part 2)

13. Everybody Wants Some (Part 3)

14. Goodnight

Mark de Clive-Lowe - Renegades

http://www.markdeclivelowe.net

http://www.myspace.com/markdeclivelowe

http://mashibeats.blogspot.com





Origine du Groupe : North America

Style : Alternative , Acid Jazz

Sortie : 2011



By Fusicologist  from http://fusicology.com



‘Renegades’ is the highly anticipated new LP from Mark de Clive-Lowe (MdCL), out on November 15th on Tru Thoughts. Recently unveiled in a special feature on long-time supporter Gilles Peterson’s
BBC Radio 1 show, the impressive album is also gaining early props from KCRW’s Jason Bentley and other international tastemakers.



MdCL’s ninth solo long player under his own name, ‘Renegades’ finds the prolific producer and musician bridging a transition between two continents, and mining a rich seam of personal creativity
and inspiration, having recently relocated to Los Angeles after ten years in London.



Alongside his own impeccable skills on beats, basslines, synths and more, the record features a cast of guest performers from both sides of the Atlantic, including vocalists nia andrews (Common,
Janelle Monae), Tawiah (Warners) and Bembe Segue; percussionist extraordinaire Sheila E (Prince); bassist Pino Palladino (D’Angelo/The Who); strings virtuoso and Flying Lotus collaborator Miguel
Atwood-Ferguson; drummers Lil’ John Roberts (US), with whom MdCL describes having a musical ‘telepathy’, and Richard Spaven (UK); guitarist to the stars Mike Feingold; and new label-mate Omar,
the king of UK soul. Working with the cream of international musicians is something MdCL relishes: “Everyone that’s been brought in on this record is free to be themselves. I love hearing people
come together and bring their own vibe to something.”



The overall sound of the album hinges on MdCL’s energetic, pristine production – club cuts flavoured with soul, funk, tech-Afrobeat and Latin twists topped with fine, organic songwriting; 
all orchestrated by MdCL showcasing his ability to meld the science of beat-making with musicianship.  He sums up the approach: “My whole thing with this kind of production is balancing
electronics and programming with organic and live musicianship. I love for that line to be blurred almost to the point where you don’t know which is which.”



Having long been a first-call collaborator for a wide range of artists, MdCL has lent his skills as producer, performer, composer and more, to over 250 records by Jill Scott, Jody Watley, Leon
Ware (Marvin Gaye/Michael Jackson), Dame Shirley Bassey, Sandra St. Victor (The Family Stand/Chaka Khan), and a host of others. He recently collaborated on the “Fairplay” single by Zed Bias,
which is all over BBC R1 and 1Xtra. Current extra-curricular projects include monthly LA residencies such as Church, a jazz night he runs at Angel’s in Santa Monica featuring surprise guests;
Scored, in which he directs an improvised soundtrack project to classic films; and the house music party Body Rock, with Sole Channel’s Alix Alvarez and Nef Nunez. Studio projects include the
Rotterdam Jazz Orchestra Big Band Project; album production for Sy Smith and Sandra St Victor; and collaborating on Jody Watley’s new LP. He is also going back to his roots, playing jazz piano
for the celebrated Dwight Trible (former singer with Pharoah Sanders).





Tracklist :

01. Alabi (Prelude) 0:35

02. Get Started feat. Omar & Sheila E 4:37

03. The Why feat. Nia Andrews 04. (Just Wanna) 0:24

05. Under Orders feat. Tawiah 4:23

06. We Renegades feat. Nia Andrews 3:28

07. Interlude I 1:13

08. Hooligan feat. Nia Andrews 4:54

09. Just Wanna Lil’ More 0:37

10. Push feat. Bembe’ Segue’ & Nia Andrews 4:03

11. Emergency feat. Nia Andrews 4:11

12. Everything feat. Oversoul7 3:01

13. Interlude ll 1:22

14. Alabi feat. Sandra Nkake 4:12

 

Mikromusic - Sennik

http://www.mikromusic.pl

http://www.myspace.com/mikromusic





Origine du Groupe : Poland

Style : Acid Jazz , Jazz , Electro Jazz , Alternative

Sortie : 2008



From Official Site :



Mikromusic is one of the most interesting groups to recently emerge on the Polish music scene. ey create an earthy fusion of acid-jazz and indie-pop delivered through the bright, angelic vocals
of Natalia Grosiak.

Mixed together with subtle hints of trip-hop and Jazz, this mélange of styles has forged a truly distinctive sound which puts the group in a league of their own. e enigmatic voice of Natalia
Grosiak together with the incredibly talented mikromusicians has allowed the group to gain wider recognition year after year.

Mikromusic have released three albums to date. eir debut album 'Mikromusic' featured guest appearances including, Leszek Mozdzer, the world-renowned Jazz pianist.



In late 2008, the much awaited second album 'Sennik' was released. e title, which means 'dream' re    ects the repetition of words woven into the theme of sleeping. e music draws
on eclectic sources, including Jazz, Trip-hop, Funk, Bossa Nova and even Folk Music. is is blended with the poetic, womanly lyrics

of Natalia Grosiak.





Tracklist :

1 Słonecznik

2 Sennik

3 Zasypiam

4 Bo Mi

5 W Źrenicach

6 Cisza Przed Burzą

7 Burzowa

8 Pociąg Do Domu

9 Nie Będę

10 Kardamon I Pieprz

11 Świat Oddala Się Od Ciebie

12 Kołysanka Karolinki

13 Thank God I'm A Woman (Bonus)

 

Juniper - Vertigo

http://www.myspace.com/thejuniper



Origine du Groupe : Russia

Style : Alternative , Acid Jazz , Drum 'n' bass , Electronic , Instrumental

Sortie : 2011



From http://www.xorosho.com



Very lively and beautiful music, with a juicy tube, colorful Saxon, tight bass and a lively, slightly polygonal rhythm. As one my comrade: "It's beautiful, it shakes, winds, calms and invigorates
at the same time, it's like a back massage, only through the ears!"

Petersburg team JUNIPER (Juniperus Russo), formed in 2009, plays in a style that can be identified only provisionally - a mixture of acid jazz, trip-hop, drum 'n' bass, funk, and other trends in
modern music. Juniper began to build electronic sounds with live rhythm section, which underlies the whole structure of the compositions.





Yuri Nesterov - guitar

Vladimir - bass

Kirill Timonin - saxophone

Dennis Osheroff - trumpet

Alexander Levichev - drums



Tracklist :

01. Dubbeat

02. Intro

03. Benny

04. One

05. Flying Whale

06. Morning Funk

07. Newsax

08. Kite

09. Vertigo

 

Brassroots - Good Life EP

http://www.brassrootsmusic.com

http://www.myspace.com/brassroots

Origine du Groupe : U.K

Style : Alternative , Acid Jazz Funk , Brass Fusion , Instrumental

Sortie : 2010

From http://dorightmusic.com



Born on the streets of East London, autumn 2008, this explosive 8 piece horn & percussion ensemble ooze an energy fed by incredible musicians from the UK, France, Greece, America &
Israel. With the noble aim of establishing a flourishing brass band scene in Britain, Brassroots bring an unbelievable real, live instrumental sound back into mainstream music by presenting pop
music in a unique format.



Having unleashed knock-out shows to sold-out audiences at Scala, Glastonbury, Secret Garden Party & Bestival, the summer ended with Brassroots being the first band ever to play live on
Channel 4’s Big Brother. Blazing a trail through the music scene, Brassroots have been played by both Gilles Peterson and Rob da Bank on BBC Radio 1, Sean Rowley, Magic, Choice FM and LA’s
legendary radio station KCRW.



Brassroots are firmly on track to change the way you experience live music, leaving fans screaming for more whilst they rock the festivals and towns across the nation. It’s a wonder that they
found time to record their self-titled EP and rehearse for the Big Brother show.



This is an exclusive digital only release for now, with the vinyl edition expected in November.

Tracklist :

01. Good Life

02. Karma Police

03. Seven Nation Army

04. Gemini Rising

Rekevin - Nulukatuk

http://rekevinmusic.com

http://www.myspace.com/rekevinmusic

Origine du Groupe : Russia

Style : Trip Hop , Downtempo , Acid Jazz , Alternative

Sortie : 2009

From http://trippintherift.com



It happens sometimes, my dearest readers, that you have to share something very precious, something close to the heart, something that settled in your soul and isn't ever going to leave it. And
right now I, feeling  like a little kid who is showing off his favorite toy, but sure enough doesn't want to give it to anyone, want to present you with the work of the band Rekevin. The
album Nulukatuk came out in 2009 and I truly regret  that it took me until now to familiarize myself with the collective's music. I can't and won't criticize it, that's how deeply their
music affected me. It also seems pointless to single out certain tracks, in my opinion the record is monolithic and every song deserves attention. I just want to say to All the guys from Rekevin
(Ksenia Istenko, Timofey Korshunov, Yakov Krivitsky, Igor Levitsky, Alexey Kochetkov, Igor Bardashev) thank YOU for being there!!!

Tracklist :

01 – Intro

02 – Don’t Shoot My Girl

03 – The Street Is Full Of Water

04 – Edward

05 – Two

06 – You Are My Destiny

07 – Stop Fading Out

08 – Bitter Love

09 – Be Kind Be Mine

10 – Galaxies

Rekevin - Nulukatuk

http://rekevinmusic.com

http://www.myspace.com/rekevinmusic

Origine du Groupe : Russia

Style : Trip Hop , Downtempo , Acid Jazz , Alternative

Sortie : 2009

From http://trippintherift.com



It happens sometimes, my dearest readers, that you have to share something very precious, something close to the heart, something that settled in your soul and isn't ever going to leave it. And
right now I, feeling  like a little kid who is showing off his favorite toy, but sure enough doesn't want to give it to anyone, want to present you with the work of the band Rekevin. The
album Nulukatuk came out in 2009 and I truly regret  that it took me until now to familiarize myself with the collective's music. I can't and won't criticize it, that's how deeply their
music affected me. It also seems pointless to single out certain tracks, in my opinion the record is monolithic and every song deserves attention. I just want to say to All the guys from Rekevin
(Ksenia Istenko, Timofey Korshunov, Yakov Krivitsky, Igor Levitsky, Alexey Kochetkov, Igor Bardashev) thank YOU for being there!!!

Tracklist :

01 – Intro

02 – Don’t Shoot My Girl

03 – The Street Is Full Of Water

04 – Edward

05 – Two

06 – You Are My Destiny

07 – Stop Fading Out

08 – Bitter Love

09 – Be Kind Be Mine

10 – Galaxies