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Nov 28, 2010

The Abyssinians - Satta Massagana

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXKNETR0BkHbG1P-dnyRpG-pEu04YCDTj_6CaACp83tUAvgdWnJwdpo_NFITd8t8B5-qTrwOMXyyA_tGpjrSSYA0-xFG5Wv4POO03XdVSRhFFr_BmfRFDxCTdoREYLuOa8lHHdRZCncOA/s400/abyssinians+satta+massagana.jpg

http://www.theabyssinians.com

http://www.myspace.com/theabyssinians

Origine du Groupe : Jamaica

Style : Reggae Legendary

Sortie : 2006



Premier album du trio jamaicain The Abyssinians, Satta Massagana est un album culte, plein de bonnes vibrations et de croyances pures envers Jah.

Nous pouvons retrouver une superbe version de Declaration of Rights où les frères Manning et Bernard Collins nous enchantent de leux voix douces.

Certes, les 14 titres ont le même tempo,tous ceux qui ne captent pas les vibrations du roots reggae diront que tous les titres se ressemblent, ils oublieraient que le reggae est une musique
spirituelle à souhait et qu'il faut savoir capturer ses vibes, et oui, chaque titre est différent!.C'est en effet toute la philosophie musicale du reggae que l'on retrouve dans cet album.

Un album que nous ne conseillerons pas aux non puristes reggae mais à tous ceux qui savent apprécier le reggae à sa juste valeur... tout comme nous..



Chroniqué par Pachouille pour http://www.dmute.net

 



Tracklist :

01. Declaration of Rights

02. The Good Lord

03. Forward Unto Zion

04. Know Jah Today

05. Abendigo

06. Y Mas Gan

07. Black Man's Strain N/A

08. Satta Massagana

09. I and I

10. African Race

11. Leggo Beast

12. Peculiar Number

13. Reason Time

14. There Is No End

 

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The Abyssinians - Satta Massagana

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXKNETR0BkHbG1P-dnyRpG-pEu04YCDTj_6CaACp83tUAvgdWnJwdpo_NFITd8t8B5-qTrwOMXyyA_tGpjrSSYA0-xFG5Wv4POO03XdVSRhFFr_BmfRFDxCTdoREYLuOa8lHHdRZCncOA/s400/abyssinians+satta+massagana.jpg

http://www.theabyssinians.com

http://www.myspace.com/theabyssinians

Origine du Groupe : Jamaica

Style : Reggae Legendary

Sortie : 2006



Premier album du trio jamaicain The Abyssinians, Satta Massagana est un album culte, plein de bonnes vibrations et de croyances pures envers Jah.

Nous pouvons retrouver une superbe version de Declaration of Rights où les frères Manning et Bernard Collins nous enchantent de leux voix douces.

Certes, les 14 titres ont le même tempo,tous ceux qui ne captent pas les vibrations du roots reggae diront que tous les titres se ressemblent, ils oublieraient que le reggae est une musique
spirituelle à souhait et qu'il faut savoir capturer ses vibes, et oui, chaque titre est différent!.C'est en effet toute la philosophie musicale du reggae que l'on retrouve dans cet album.

Un album que nous ne conseillerons pas aux non puristes reggae mais à tous ceux qui savent apprécier le reggae à sa juste valeur... tout comme nous..



Chroniqué par Pachouille pour http://www.dmute.net

 



Tracklist :

01. Declaration of Rights

02. The Good Lord

03. Forward Unto Zion

04. Know Jah Today

05. Abendigo

06. Y Mas Gan

07. Black Man's Strain N/A

08. Satta Massagana

09. I and I

10. African Race

11. Leggo Beast

12. Peculiar Number

13. Reason Time

14. There Is No End

 

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Abdeljalil Kodssi - Oulad Fulani Ganga

http://195.178.113.21/mondomixmp3/disk2/albums/21199/images/cover-300.jpg

http://www.myspace.com/abdeljalilkodssi

Origine du Groupe : Morocco

Style : World Music , Alternative Fusion , Jazz Funk , Gnawa Music

Sortie : 2006



Fils d’une célèbre famille gnawa marrakchi, chanteur et multi-instrumentiste, Abdeljalil Kodssi a évolué au sein de nombreuses formations gnawa. Co-fondateur de l’ensemble Nass Marrakech portée
par le grand Omar Sosa qui a d’ailleurs produit son album Mimoun, Abdeljalil est un adepte de la fusion sous toutes ses formes. Mélange culturel et musical, il entremêle à ses racines gnawa des
sonorités jazz, funk et méditerranéennes…



par mondomix.com







Tracklist :

01 - Dunia 5:52

02 - Abdelkader Jilali 4:12

03 - Hamouda 6:42

04 - H'biba Ummi 4:49

05 - Africa 11:19

06 - Assamawi 5:05

07 - Oulad Mousa 7:01

08 - Almaashuca 4:47

 

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Abdeljalil Kodssi - Oulad Fulani Ganga

http://195.178.113.21/mondomixmp3/disk2/albums/21199/images/cover-300.jpg

http://www.myspace.com/abdeljalilkodssi

Origine du Groupe : Morocco

Style : World Music , Alternative Fusion , Jazz Funk , Gnawa Music

Sortie : 2006



Fils d’une célèbre famille gnawa marrakchi, chanteur et multi-instrumentiste, Abdeljalil Kodssi a évolué au sein de nombreuses formations gnawa. Co-fondateur de l’ensemble Nass Marrakech portée
par le grand Omar Sosa qui a d’ailleurs produit son album Mimoun, Abdeljalil est un adepte de la fusion sous toutes ses formes. Mélange culturel et musical, il entremêle à ses racines gnawa des
sonorités jazz, funk et méditerranéennes…



par mondomix.com







Tracklist :

01 - Dunia 5:52

02 - Abdelkader Jilali 4:12

03 - Hamouda 6:42

04 - H'biba Ummi 4:49

05 - Africa 11:19

06 - Assamawi 5:05

07 - Oulad Mousa 7:01

08 - Almaashuca 4:47

 

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The Bahama Soul Club - Bossa Nova Just Smells Funky


http://www.myspace.com/bahamasoulclub

Origine du Groupe : Germany

Style : Funk , Soul , Jazz

Sortie : 2010



We've played the unstoppable uptempo bossa of But Rich Rhythms, extracted from their first album Rhythm Is What Makes Jazz Jazz, in our 21st Century Latin Vol.3 mix, way back in january 2009. You
might have heard the creative team around Oliver Belz before, thru its earlier incarnation as The Juju Orchestra, who got the T.I.M.E.C.  golden pepper with their vintage latin singles way
back in 2006 for those following my writings. The Bahama Soul Club are now back with a sophomore album, Bossa Nova Just Smells Funky, deliciously clashing neo-retro soul, jazz, bossa and
afro-latin grooves into a both immediate and timeless record. Dear Oliver, as long as you will keep on delivering such tasty goods, count on me to buy your vinyls!!!



by http://www.parisdjs.com



Review by Craig Charles, June 2010 :

I first heard this outfit when they had just started posting music on their myspace page, since then I have been a massive fan!



But then again, the main man behind The Bahamas, Oliver Belz, has a very fine pedigree having been one of the prime movers behind the wonderful JuJu Orchestra.

His debut album as The Bahama Soul Club, “Rhythm Is What Makes Jazz Jazz” was hardly ever off the show, and was one of my albums of the year in 2008.

But the big question is after making such a mark on his debut, can he deliver on that difficult second album.

All the signs are there as he has retained some of the vocalists from the previous album such as Berlin resident Pat Appleton and Bella Wagner from just over the border in Austria, and to augment
that very solid base he has also drafted in the combined talents of two of the finest vocalists in the UK, Xantoné Blacq, and one of my personal favourites John Turrell who was recently voted on
my show as lead male vocalist for the UK Fantasy Funk Band.



From the start, this album slips into gear with the superb jazz cut that is “King’s Wig” to the last knockout punch of the dancefloor monster “Nassau Jam” I can tell that Oliver has lost none of
that Midas touch. There is something quite unique and mesmerising about the sound of The Bahama Soul Club, it is a gumbo in the best sense of the word, throwing in Bossa, Soul, Afro-Latin, and
Jazz all into the pot and coming up with a sound that is both immediate, timeless, and above all has the sun shining through every single tune.

The question I asked earlier was, does he deliver on the difficult second album and the answer has to be a resounding “YES!”



Make a friend of this album as, believe me, it will be friend for life, it is that good!





Tracklist :

01. King's Wig 5:12

02. Afro Shigida (feat Kojato) 6:22

03. Bossa Bop (feat Pat Appleton) 4:29

04. Serious Soul (feat John Turrell) 3:27

05. Experience In Jazz (feat Bella Wagner) 5:57

06. Junkie (feat Sitzka) 4:39

07. Tangossa (feat Pat Appleton) 5:04

08. Bossa Corcovado (feat A Secret) 5:28

09. Open Wide (feat Xantone Blacq) 4:27

10. True (BSC Remix) (feat Bajka) 5:34

11. But Rich Rhythms (Club Des Belugas Remix) 5:03

12. Nassau Jam (Smoove's Funky Jam-Remix) 5:57

 

mp3LINK REMOVE ARTIST REQUEST 


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The Bahama Soul Club - Bossa Nova Just Smells Funky


http://www.myspace.com/bahamasoulclub

Origine du Groupe : Germany

Style : Funk , Soul , Jazz

Sortie : 2010



We've played the unstoppable uptempo bossa of But Rich Rhythms, extracted from their first album Rhythm Is What Makes Jazz Jazz, in our 21st Century Latin Vol.3 mix, way back in january 2009. You
might have heard the creative team around Oliver Belz before, thru its earlier incarnation as The Juju Orchestra, who got the T.I.M.E.C.  golden pepper with their vintage latin singles way
back in 2006 for those following my writings. The Bahama Soul Club are now back with a sophomore album, Bossa Nova Just Smells Funky, deliciously clashing neo-retro soul, jazz, bossa and
afro-latin grooves into a both immediate and timeless record. Dear Oliver, as long as you will keep on delivering such tasty goods, count on me to buy your vinyls!!!



by http://www.parisdjs.com



Review by Craig Charles, June 2010 :

I first heard this outfit when they had just started posting music on their myspace page, since then I have been a massive fan!



But then again, the main man behind The Bahamas, Oliver Belz, has a very fine pedigree having been one of the prime movers behind the wonderful JuJu Orchestra.

His debut album as The Bahama Soul Club, “Rhythm Is What Makes Jazz Jazz” was hardly ever off the show, and was one of my albums of the year in 2008.

But the big question is after making such a mark on his debut, can he deliver on that difficult second album.

All the signs are there as he has retained some of the vocalists from the previous album such as Berlin resident Pat Appleton and Bella Wagner from just over the border in Austria, and to augment
that very solid base he has also drafted in the combined talents of two of the finest vocalists in the UK, Xantoné Blacq, and one of my personal favourites John Turrell who was recently voted on
my show as lead male vocalist for the UK Fantasy Funk Band.



From the start, this album slips into gear with the superb jazz cut that is “King’s Wig” to the last knockout punch of the dancefloor monster “Nassau Jam” I can tell that Oliver has lost none of
that Midas touch. There is something quite unique and mesmerising about the sound of The Bahama Soul Club, it is a gumbo in the best sense of the word, throwing in Bossa, Soul, Afro-Latin, and
Jazz all into the pot and coming up with a sound that is both immediate, timeless, and above all has the sun shining through every single tune.

The question I asked earlier was, does he deliver on the difficult second album and the answer has to be a resounding “YES!”



Make a friend of this album as, believe me, it will be friend for life, it is that good!





Tracklist :

01. King's Wig 5:12

02. Afro Shigida (feat Kojato) 6:22

03. Bossa Bop (feat Pat Appleton) 4:29

04. Serious Soul (feat John Turrell) 3:27

05. Experience In Jazz (feat Bella Wagner) 5:57

06. Junkie (feat Sitzka) 4:39

07. Tangossa (feat Pat Appleton) 5:04

08. Bossa Corcovado (feat A Secret) 5:28

09. Open Wide (feat Xantone Blacq) 4:27

10. True (BSC Remix) (feat Bajka) 5:34

11. But Rich Rhythms (Club Des Belugas Remix) 5:03

12. Nassau Jam (Smoove's Funky Jam-Remix) 5:57

 

mp3LINK REMOVE ARTIST REQUEST 


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Susana Rinaldi - A homero manzi

http://fr.wikipedia.org/wiki/Susana_Rinaldi

Origine du Groupe : Argentina

Style : Tango

Sortie : 1969





En cette année 2007 nous remémorons le grand poète Homero Manzi.

Il est né il y a un siècle et a quitté la vie bien jeune.

Une courte carrière dans le temps, une longue et majestueuse carrière par sa production, sa qualité, son importance.

L'auteur de Malena, Sur, et tant de merveilles que des multiples voix ont chanté et chantent; des textes qui se sont posés sur les lèvres des millions d'argentins, est sans
conteste un de plus grands poètes argentins et un de plus grands poètes du tango.

Car l'oeuvre de Manzi, comme celle de certains de ses pairs, si bien sont nées et appartiennent à l'espace tango, elle appartient au domaine de la poésie, de cette expression littéraire qui côtoie
les dieux de tant d'Olympes.

Susana Rinaldi à ses débuts a choisie de chanter Manzi. Elle l'a fait avec émotion et beaucoup de talent. Son interprétation est claire, elle achemine le respect de la chanteuse pour le poète,
l'amour même qu'elle le lui procure.

permalink



En savoir
+
sur Susana Rinaldi

 

Tracklist :

1    Fuimos

2    Barrio de tango

3    Papa Baltasar

4    Ninguna

5    El último organito

6    A Homero

7    Malena

8    Bettinoti

9    El pescante

10    Romance de barrio

11    Che bandoneon

12    Definiciones para esperar mi muerte

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Susana Rinaldi - A homero manzi

http://fr.wikipedia.org/wiki/Susana_Rinaldi

Origine du Groupe : Argentina

Style : Tango

Sortie : 1969





En cette année 2007 nous remémorons le grand poète Homero Manzi.

Il est né il y a un siècle et a quitté la vie bien jeune.

Une courte carrière dans le temps, une longue et majestueuse carrière par sa production, sa qualité, son importance.

L'auteur de Malena, Sur, et tant de merveilles que des multiples voix ont chanté et chantent; des textes qui se sont posés sur les lèvres des millions d'argentins, est sans
conteste un de plus grands poètes argentins et un de plus grands poètes du tango.

Car l'oeuvre de Manzi, comme celle de certains de ses pairs, si bien sont nées et appartiennent à l'espace tango, elle appartient au domaine de la poésie, de cette expression littéraire qui côtoie
les dieux de tant d'Olympes.

Susana Rinaldi à ses débuts a choisie de chanter Manzi. Elle l'a fait avec émotion et beaucoup de talent. Son interprétation est claire, elle achemine le respect de la chanteuse pour le poète,
l'amour même qu'elle le lui procure.

permalink



En savoir
+
sur Susana Rinaldi

 

Tracklist :

1    Fuimos

2    Barrio de tango

3    Papa Baltasar

4    Ninguna

5    El último organito

6    A Homero

7    Malena

8    Bettinoti

9    El pescante

10    Romance de barrio

11    Che bandoneon

12    Definiciones para esperar mi muerte

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Amnesty - Free Your Mind - The 700 West Sessions

http://cover6.cduniverse.com/MuzeAudioArt/Large/54/970754.jpg

Origine du Groupe : North America

Style : Soul Funk

Sortie : 1973



I had to stick up for this album since no one else has reviewed it yet. The lack of critical press for this album is puzzling, it is definitely some of the best music I have heard in a while.
Egon from Now Again (subsidiary of Stones Throw) has done it again, unearthing a true gem that has Temptations style vocal harmonies set to hard funk and r&b. The music was recorded in 1973,
but it contains a timeless quality which would sound fresh and exciting in any era. There is an urgency and energy to the music, from the socially concerned lyrics to the incredible
instrumentation. Fans of L.A. Carnival or any other funk and soul groups need to check this out. Highly recommended.



by  Dennis Y. Kim  permalink



Tracklist :

1 Can I Help You? 7:41

2 Love Fades 3:32

3 Mister President 4:19

4 Free Your Mind 5:51

5 We Have Love 4:32

6 Lord Help Me 3:38

7 Three Cheers for My Baby 4:10

8 Trouble Will Remain 2:34

9 We’ve Come a Long Way 1:54

10 Liberty 2:40

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Amnesty - Free Your Mind - The 700 West Sessions

http://cover6.cduniverse.com/MuzeAudioArt/Large/54/970754.jpg

Origine du Groupe : North America

Style : Soul Funk

Sortie : 1973



I had to stick up for this album since no one else has reviewed it yet. The lack of critical press for this album is puzzling, it is definitely some of the best music I have heard in a while.
Egon from Now Again (subsidiary of Stones Throw) has done it again, unearthing a true gem that has Temptations style vocal harmonies set to hard funk and r&b. The music was recorded in 1973,
but it contains a timeless quality which would sound fresh and exciting in any era. There is an urgency and energy to the music, from the socially concerned lyrics to the incredible
instrumentation. Fans of L.A. Carnival or any other funk and soul groups need to check this out. Highly recommended.



by  Dennis Y. Kim  permalink



Tracklist :

1 Can I Help You? 7:41

2 Love Fades 3:32

3 Mister President 4:19

4 Free Your Mind 5:51

5 We Have Love 4:32

6 Lord Help Me 3:38

7 Three Cheers for My Baby 4:10

8 Trouble Will Remain 2:34

9 We’ve Come a Long Way 1:54

10 Liberty 2:40

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Nov 24, 2010

The Time And Space Machine - Set Phazer To Stun

http://static.letsbuyit.com/filer/images/uk/products/original/222/55/set-phazer-to-stun-22255860.jpeg

http://ttasm.com

http://www.myspace.com/thetimeandspacemachine

Origine du Groupe : U.K

Style : Alternative , Psychedelic , Electro

Sortie : 2010



Signes ésotériques en veux tu en voilà, symbolisme à outrance, formes géométriques à tout va, des motifs colorés dignes d’un trip sous acide... Pas de doute, la jaquette de The Time And Space
machine annonce la couleur, celle du psychédélisme. Derrière ce nom d’artiste, évoquant l’univers d’H.G. Well ou R. Bradbury, se cache un anglais, vieux brisquard de la musique psyché(délique) :
Richard Norris. Son album éponyme sort en mars 2010 mais deux EP permettent déjà d ‘allumer et d’apprécier la machine du temps et de l’espace.



Jimi Hendrix, The Doors, Frank Zappa, Amon Düül, Can, Pink Floyd, King Crimson et aujourd’hui The Brian Johnestown Massacre et The Black Angels. Le fil d’Ariane reliant tous ces artistes ? Leur
amour pour le rock psychédélisme et leur capacité à s’être imposés comme maîtres en la matière. Richard Norris a désormais place parmi ces noms prestigieux.





To drug or not to drug ?



Avant d’étudier plus en détail la musique de Richard Norris, il nous faut remonter dans le temps pour saisir l’essence même du psychédélisme et mieux comprendre cette musique. En 1964 dans son
Manuel Psychédélique, Timothy Leary, théoricien et acteur du mouvement le définit par ces mots : « une expérience psychédélique est un voyage dans de nouveaux champs de conscience. La portée et
la teneur de l'expérience sont sans limite, mais ses caractéristiques sont la transcendance des concepts verbaux, des dimensions d'espace-temps et du moi ou de l'identité ». Lorsqu’on joue de la
musique psyché et au vu des fluctuations de la réalité spacio-temporel, « The Time And Space Machine » est donc un pseudonyme et un nom d’album tout trouvé. La musique psychédélique relève donc
plus d’une condition cérébrale que d’un genre musical clairement définissable. Le postula psyché préconise avant tout une liberté totale face aux conventions musicales. Si une chanson doit faire
27 minutes elle en fera 27. Quid des 3 minutes réglementaires pour espérer une diffusion radio ? Rien à cirer des 3 minutes ! Formatage et Psyché ne font pas bon ménage. Le psyché c’est oser,
défricher, explorer, aller toujours plus loin dans l’inconnu de l’esprit sonore. Certes, le vecteur de ces explorations a souvent été la drogue. Allez, soyons honnêtes, plusieurs drogues en même
temps. Les exemples de génies du psyché ne manquent pas : Jim Morisson, Jimi Hendrix, Syd Barrett (Pink Floyd). Revers de la médaille, tous ont mal fini... N’ayant aucune analyse sanguine ou
urinaire de Richard Norris, on peut difficilement établir la part de substance illicite ingurgité (ou fumé, ou sniffé, etc.) dans sa démarche artistique. Peu importe car sa musique reste de la
bonne came.





Choc Norris



Si la musique psychédélique possédait sa propre fac, Richard Norris y détiendrait surement sa chaire universitaire. Et « The Time And Space Machine », son projet solo, serait alors sa thèse. Il
explique en quoi cet album est un aboutissement :



« Après avoir collecté, réalisé, écrit et réfléchit sur la musique psychédélique pendant des années, j’ai finalement mit toutes ces influences formatrices dans une série de morceaux. J’ai
toujours été un inconditionnel de la musique psychédélique et des rythmes bizarres et ce, depuis que j’ai travaillé, adolescent, dans le label psyché anglais Bam Caruso. J’ai vraiment essayé de
mêler toutes ces influences avec les techniques modernes afin de créer quelque chose de nouveau ».



Norris a un peu eu plusieurs vies en une seule. Critique musical pour NME, producteur, ingénieur du son, DJ avec Erol Alkan sous le nom de Beyond the Wizard's Sleeve, cofondateur du groupe The
Grid avec David Ball (ancien membre de Soft Cell), Norris a aussi signé la bande originale de Grosse Pointe Blank (George Armitage) avec son pote Joe Strummer.



« The Time And The Space Machine » est une réussite. La musique, bien que complexe dans son élaboration, s’écoute aisément. Dès le morceau d’introduction, Time And Space, 6 minutes de rock
atmosphérique, on voyage dans le temps : les nappes de synthé nous remémorent immédiatement le début de Shine On You Crazy Diamond des Pink Floyd. Bienvenu en 1975 ! Le titre Path Through The
Cathedral est une bombe psyché grâce à son orgue d’église aux accents groovy et une batterie martelée. Norris est aussi bien à l’aise dans le Krautrock (Set Phazer To Stun), dans la musique
orientée Dancefloor (More Cowbell) ou dans la reprise de standard (After the Gold Rush de Neil Young). Il a le mérite de ne pas sombrer dans un bourbier d’expérimentation musicale. L’auditeur
n’est pas lâché dès la première minute de l’album et on embarque pour vivre, pendant près d’une heure, « une aventure de science fiction en haute définition » selon les mots de Richard Norris. «
The Time And The Space Machine » : un premier opus qui en appelle d’autres car on en redemande.



par Camille Larbey pour http://www.lagazettedeberlin.de



Tracklist :

01. Time And Space

02. Path Through The Cathedral

03. Set Phazer To Stun

04. You Are The One

05. Children Of The Sun

06. Zeitghost

07. Infinite

08. More Cowbell

09. Midsummer Night

10. Mushroom Family

11. After The Gold Rush

12. Trip Sideways

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The Time And Space Machine - Set Phazer To Stun

http://static.letsbuyit.com/filer/images/uk/products/original/222/55/set-phazer-to-stun-22255860.jpeg

http://ttasm.com

http://www.myspace.com/thetimeandspacemachine

Origine du Groupe : U.K

Style : Alternative , Psychedelic , Electro

Sortie : 2010



Signes ésotériques en veux tu en voilà, symbolisme à outrance, formes géométriques à tout va, des motifs colorés dignes d’un trip sous acide... Pas de doute, la jaquette de The Time And Space
machine annonce la couleur, celle du psychédélisme. Derrière ce nom d’artiste, évoquant l’univers d’H.G. Well ou R. Bradbury, se cache un anglais, vieux brisquard de la musique psyché(délique) :
Richard Norris. Son album éponyme sort en mars 2010 mais deux EP permettent déjà d ‘allumer et d’apprécier la machine du temps et de l’espace.



Jimi Hendrix, The Doors, Frank Zappa, Amon Düül, Can, Pink Floyd, King Crimson et aujourd’hui The Brian Johnestown Massacre et The Black Angels. Le fil d’Ariane reliant tous ces artistes ? Leur
amour pour le rock psychédélisme et leur capacité à s’être imposés comme maîtres en la matière. Richard Norris a désormais place parmi ces noms prestigieux.





To drug or not to drug ?



Avant d’étudier plus en détail la musique de Richard Norris, il nous faut remonter dans le temps pour saisir l’essence même du psychédélisme et mieux comprendre cette musique. En 1964 dans son
Manuel Psychédélique, Timothy Leary, théoricien et acteur du mouvement le définit par ces mots : « une expérience psychédélique est un voyage dans de nouveaux champs de conscience. La portée et
la teneur de l'expérience sont sans limite, mais ses caractéristiques sont la transcendance des concepts verbaux, des dimensions d'espace-temps et du moi ou de l'identité ». Lorsqu’on joue de la
musique psyché et au vu des fluctuations de la réalité spacio-temporel, « The Time And Space Machine » est donc un pseudonyme et un nom d’album tout trouvé. La musique psychédélique relève donc
plus d’une condition cérébrale que d’un genre musical clairement définissable. Le postula psyché préconise avant tout une liberté totale face aux conventions musicales. Si une chanson doit faire
27 minutes elle en fera 27. Quid des 3 minutes réglementaires pour espérer une diffusion radio ? Rien à cirer des 3 minutes ! Formatage et Psyché ne font pas bon ménage. Le psyché c’est oser,
défricher, explorer, aller toujours plus loin dans l’inconnu de l’esprit sonore. Certes, le vecteur de ces explorations a souvent été la drogue. Allez, soyons honnêtes, plusieurs drogues en même
temps. Les exemples de génies du psyché ne manquent pas : Jim Morisson, Jimi Hendrix, Syd Barrett (Pink Floyd). Revers de la médaille, tous ont mal fini... N’ayant aucune analyse sanguine ou
urinaire de Richard Norris, on peut difficilement établir la part de substance illicite ingurgité (ou fumé, ou sniffé, etc.) dans sa démarche artistique. Peu importe car sa musique reste de la
bonne came.





Choc Norris



Si la musique psychédélique possédait sa propre fac, Richard Norris y détiendrait surement sa chaire universitaire. Et « The Time And Space Machine », son projet solo, serait alors sa thèse. Il
explique en quoi cet album est un aboutissement :



« Après avoir collecté, réalisé, écrit et réfléchit sur la musique psychédélique pendant des années, j’ai finalement mit toutes ces influences formatrices dans une série de morceaux. J’ai
toujours été un inconditionnel de la musique psychédélique et des rythmes bizarres et ce, depuis que j’ai travaillé, adolescent, dans le label psyché anglais Bam Caruso. J’ai vraiment essayé de
mêler toutes ces influences avec les techniques modernes afin de créer quelque chose de nouveau ».



Norris a un peu eu plusieurs vies en une seule. Critique musical pour NME, producteur, ingénieur du son, DJ avec Erol Alkan sous le nom de Beyond the Wizard's Sleeve, cofondateur du groupe The
Grid avec David Ball (ancien membre de Soft Cell), Norris a aussi signé la bande originale de Grosse Pointe Blank (George Armitage) avec son pote Joe Strummer.



« The Time And The Space Machine » est une réussite. La musique, bien que complexe dans son élaboration, s’écoute aisément. Dès le morceau d’introduction, Time And Space, 6 minutes de rock
atmosphérique, on voyage dans le temps : les nappes de synthé nous remémorent immédiatement le début de Shine On You Crazy Diamond des Pink Floyd. Bienvenu en 1975 ! Le titre Path Through The
Cathedral est une bombe psyché grâce à son orgue d’église aux accents groovy et une batterie martelée. Norris est aussi bien à l’aise dans le Krautrock (Set Phazer To Stun), dans la musique
orientée Dancefloor (More Cowbell) ou dans la reprise de standard (After the Gold Rush de Neil Young). Il a le mérite de ne pas sombrer dans un bourbier d’expérimentation musicale. L’auditeur
n’est pas lâché dès la première minute de l’album et on embarque pour vivre, pendant près d’une heure, « une aventure de science fiction en haute définition » selon les mots de Richard Norris. «
The Time And The Space Machine » : un premier opus qui en appelle d’autres car on en redemande.



par Camille Larbey pour http://www.lagazettedeberlin.de



Tracklist :

01. Time And Space

02. Path Through The Cathedral

03. Set Phazer To Stun

04. You Are The One

05. Children Of The Sun

06. Zeitghost

07. Infinite

08. More Cowbell

09. Midsummer Night

10. Mushroom Family

11. After The Gold Rush

12. Trip Sideways

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Shigeto - What We Held On To (EP)

http://cdn.ghostly.com/images/artists/178/albums/331/GI-122_1400x1400_540_540.jpg

http://ghostly.com/artists/shigeto

http://www.myspace.com/shigeto

Origine du Groupe : North America

Style : Electro , Breakbeat , Abstract Hip Hop , Alternative

Sortie : 2010




Shigeto - What We Held On To EP by Moodgadget

Zach Saginaw’s releases as Shigeto are more than just pieces of music—they’re chapters, carefully laid building blocks of a narrative that spans the artist’s increasingly impressive body of
work. Building a sonic bridge between the Semi-Circle EP and the upcoming Full Circle full-length, Shigeto’s What We Held On To EP is the next installment in the artist’s ongoing treatise on his
family’s troubled history, as well as a free taste of what’s to come from the prolific Brooklyn producer.



What We Held On To is both simpler and heavier than its predecessor, with Shigeto paring his tracks down to their essentials and adding a dollop of blown-speaker low end; it’s also a bit more
melancholy, owing to the addition of a few elegantly disheveled vocal samples and liberal use of piano. “After She Smokes” matches a sinister metallic “shhhing!” (Swords colliding? Knives
sharpening?) to an elegiac singing voice and a series of swelling synths—certainly one of Shigeto’s prettiest moments—while “Bitter Sweet”’s stuttering boom-clap and machine-like hums alternate
with more doe-eyed vocals and a touch of understated bossa-nova cool. The EP’s second half is darker than the first, as the overdriven digital menace of “What We Held On To” leads into “Grandma’s
Words / Rise Out of the Stone”, a two-part invocation of Saginaw’s grandmother’s experience as a Japanese-American during the horrors of WWII.



The central mystery with What We Held On To, of course, is the title’s unspecified “what”: what exactly, we’re meant to wonder, did they hold on to? As Shigeto moves steadily toward his
full-length debut, he’s been holding on to his family history, bringing that chapter of his musical mission to a close; he’s also holding on to his grandmother’s upright piano (the moody chords
of which appear throughout the EP), her last remaining worldly possession after her internment in the US. What We Held On To represents the final piece of Shigeto’s longstanding obsession; on
Full Circle, his upcoming full-length, the young producer finally lets go.



from http://ghostly.com/releases/what-we-held-on-to-ep



Tracklist :

1 Spring Textures   

2 After She Smokes   

3 Bitter Sweet   

4 What We Held On To   

5 Grandma's Words / Rise Out Of The Stone

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Shigeto - What We Held On To (EP)

http://cdn.ghostly.com/images/artists/178/albums/331/GI-122_1400x1400_540_540.jpg

http://ghostly.com/artists/shigeto

http://www.myspace.com/shigeto

Origine du Groupe : North America

Style : Electro , Breakbeat , Abstract Hip Hop , Alternative

Sortie : 2010




Shigeto - What We Held On To EP by Moodgadget

Zach Saginaw’s releases as Shigeto are more than just pieces of music—they’re chapters, carefully laid building blocks of a narrative that spans the artist’s increasingly impressive body of
work. Building a sonic bridge between the Semi-Circle EP and the upcoming Full Circle full-length, Shigeto’s What We Held On To EP is the next installment in the artist’s ongoing treatise on his
family’s troubled history, as well as a free taste of what’s to come from the prolific Brooklyn producer.



What We Held On To is both simpler and heavier than its predecessor, with Shigeto paring his tracks down to their essentials and adding a dollop of blown-speaker low end; it’s also a bit more
melancholy, owing to the addition of a few elegantly disheveled vocal samples and liberal use of piano. “After She Smokes” matches a sinister metallic “shhhing!” (Swords colliding? Knives
sharpening?) to an elegiac singing voice and a series of swelling synths—certainly one of Shigeto’s prettiest moments—while “Bitter Sweet”’s stuttering boom-clap and machine-like hums alternate
with more doe-eyed vocals and a touch of understated bossa-nova cool. The EP’s second half is darker than the first, as the overdriven digital menace of “What We Held On To” leads into “Grandma’s
Words / Rise Out of the Stone”, a two-part invocation of Saginaw’s grandmother’s experience as a Japanese-American during the horrors of WWII.



The central mystery with What We Held On To, of course, is the title’s unspecified “what”: what exactly, we’re meant to wonder, did they hold on to? As Shigeto moves steadily toward his
full-length debut, he’s been holding on to his family history, bringing that chapter of his musical mission to a close; he’s also holding on to his grandmother’s upright piano (the moody chords
of which appear throughout the EP), her last remaining worldly possession after her internment in the US. What We Held On To represents the final piece of Shigeto’s longstanding obsession; on
Full Circle, his upcoming full-length, the young producer finally lets go.



from http://ghostly.com/releases/what-we-held-on-to-ep



Tracklist :

1 Spring Textures   

2 After She Smokes   

3 Bitter Sweet   

4 What We Held On To   

5 Grandma's Words / Rise Out Of The Stone

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Nov 22, 2010

V.I.C Sound - Paradise

http://bandcamp.com/files/31/93/3193501130-1.jpg

http://www.lastfm.fr/music/V.I.C+Sound

http://vicsound.bandcamp.com/album/paradise

Origine du Groupe : Russia , North America , Australia , Mexico , Denemark

Style : Alternative , Trip Hop , Electro

Sortie : 2010



In a recording of the album took part Fannie (Turkey), THEreminGIRL (Russia), Pat Appleton (De-Phazz, Germany), Elizabeth Solana (Stervhia, Mexico), DJ Sid (USA), Marie Craven (Australia), Pearl
(Denmark), Alex Popov (Russia), Anders Honore (Denmark), Raffi A. (USA), DJ Topor (Russia). Vibes of different nations and cultures were mixed in the album. You can hear in it many styles: from
traditional classics and blues to modern ambient and trip-hop. And every one of the tracks has recognizable sound and author’s style of V.I.C.



from http://vicsound.bandcamp.com/album/paradise



Tracklist :

01. Intro Moscow (Reinvented RMX w DJ Sid-the Apocalypze)

02. Paradise (feat. Fannie)

03. MayBe (feat. Pearl)

04. Momentarily Here (feat. THEreminGIRL)

05. The President Of The USA (feat. Fannie)

06. Utopian Fate (feat. S.C.E.)

07. We Can Make It Better (feat. Fannie)

08. The Highs And The Lows (feat. Pat Appleton)

09. Between Clouds (feat. Cwtch)

10. LuLaBy (feat. THEreminGIRL)

11. Hidden Track

12. Outro

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V.I.C Sound - Paradise

http://bandcamp.com/files/31/93/3193501130-1.jpg

http://www.lastfm.fr/music/V.I.C+Sound

http://vicsound.bandcamp.com/album/paradise

Origine du Groupe : Russia , North America , Australia , Mexico , Denemark

Style : Alternative , Trip Hop , Electro

Sortie : 2010



In a recording of the album took part Fannie (Turkey), THEreminGIRL (Russia), Pat Appleton (De-Phazz, Germany), Elizabeth Solana (Stervhia, Mexico), DJ Sid (USA), Marie Craven (Australia), Pearl
(Denmark), Alex Popov (Russia), Anders Honore (Denmark), Raffi A. (USA), DJ Topor (Russia). Vibes of different nations and cultures were mixed in the album. You can hear in it many styles: from
traditional classics and blues to modern ambient and trip-hop. And every one of the tracks has recognizable sound and author’s style of V.I.C.



from http://vicsound.bandcamp.com/album/paradise



Tracklist :

01. Intro Moscow (Reinvented RMX w DJ Sid-the Apocalypze)

02. Paradise (feat. Fannie)

03. MayBe (feat. Pearl)

04. Momentarily Here (feat. THEreminGIRL)

05. The President Of The USA (feat. Fannie)

06. Utopian Fate (feat. S.C.E.)

07. We Can Make It Better (feat. Fannie)

08. The Highs And The Lows (feat. Pat Appleton)

09. Between Clouds (feat. Cwtch)

10. LuLaBy (feat. THEreminGIRL)

11. Hidden Track

12. Outro

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Liquid Spirits - Liquid Spirits

http://ecx.images-amazon.com/images/I/51nkz%2BeU5sL._SS500_.jpg

http://www.liquid-spirits.com

Origine du Groupe : Germany

Style : Nu-Soul Funk

Sortie : 2005



The Debut Soul CD From This Dutch Formation Featuring Key Player/Vocalist U-Gene, Backed Up by Wiboud Burkens, Also On Keys And Manuel Hugas On Bass And Effects Plus Numerous Other Guest
Musicians Like Phonte Of Little Brother, Raffaela, Cyril Directie, Marc Bien, Jasmin Tusjadia, Dedre Twiss, Lo Van Gorp And More. 



by DamianNeverSumm  from http://damianneversummer.blogspot.com



Tracklist :

1. Intro

2. Destiny

3. Heavenly

4. The Muse

5. Feel the Heat Rise

6. All Around the World

7. Break it Down

8. Feel the Heat (Reprise)

9. All I Want 2 B

10. When

11. 4Everyday

12. Believe Me

13. Down the Line

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